Found

A wide bay at sunset filled with many small moored boats, distant hills behind. No dominant person. The composed bay full of boats is a place photograph with travel undertones.

A slow stream winding through a yellow meadow with a single tree at sunset. No people. Quiet, slow, rural moment.

A manicured golf-course fairway curving away in golden hour light, palm trees at the edge. No people. The designed landscape itself is the subject — a &#x27;found&#x27; choreographed place.

A winding mountain road descends into a hazy valley under storm clouds, no vehicles visible. No people. Vast quiet road in landscape.

A tropical resort scene with palm trees, a multi-storey condo building, and a distant skyline of a city across water. No dominant person. Built form integrated into a tropical setting.

Snowy mountains rising behind a few small chalet-style buildings in the foreground. The land dominates the frame; the buildings are scale markers. No athletic activity.

A mountain restaurant&#x27;s terrace with empty wooden tables under a snow-capped peak backdrop, late winter daylight.

Ski-lift cables and pylons crossing a snowy mountain slope with mist below.

A wide snowy mountain valley with fog hanging in the lower parts and pine forests on the slopes. No people. Vast place.

A solitary windmill in a green field of grasses under heavy grey clouds. No people. The built object — the windmill — is the subject; classic &#x27;found&#x27; compositional vertical.

A red Coca-Cola cooler box or truck panel against a peeled-paint backdrop, weathered. No people. The object — its colour, branding, and wear — is the subject.

A close black-and-white texture study of tree bark filling the frame. No people. Pure object/texture study.

A forest of dark pine reflected in a still lake, large rocks in the foreground. No people. Quiet, slow, reflective; a stillness photograph more than a vast place.