VII

Color

A dusk view of an Indian city — pools, a long colonnade, lights starting to come on. The wide travel-essay shot of India at dusk; place as protagonist.VII · 01
Stone steps in India with a cow or buffalo standing on them and a single figure tending to it. Plural subjects sharing the frame — animal, human, place. The scene is travel-essay India.VII · 02
The Taj Mahal Palace Hotel in Mumbai at dusk, lit dome reflected in pavement after rain, with a small cluster of people walking past.VII · 03
Two figures pulling a small wooden boat onto a beach in the Caribbean with a steep volcanic peak rising behind.VII · 04
An Indian street with a parked motorcycle, a small dog in costume on the ground, old wooden buildings behind. The scene is dense and colourful, daily life in India. Travel-as-subject.VII · 05
A figure walking down a sun-soaked Indian alley between pink and red buildings, photographed from behind.VII · 06
An Indian alleyway with cracked walls, a few small figures and shopfronts under a strong shaft of sunlight. Densely textured; daily Indian street life is the subject.VII · 07
An Indian street with old timber-balconied buildings and a parked vehicle, dense urban India. No single dominant person. Travel-as-subject through architecture and street life.VII · 08
Italian countryside in the late afternoon, rolling vineyards and olive groves with a hilltop village in the distance.VII · 09
A wide Italian valley landscape with a hilltop town clustered to the right and rolling fields beyond. The land dominates; the town is integrated into it. Travel-as-subject: Italy.VII · 10
A tropical Caribbean landscape with a steep green peak (a Piton-like volcanic spire) rising behind palm trees and a dirt path. No dominant person. Travel-as-subject through tropical place.VII · 11

END OF SERIES VII — COLOR