Form

A dark, monochromatic industrial building with strong geometric facade, photographed straight on. No people. The built form — the factory itself — is the subject of the photograph.

A close detail of a modern building with deep blue-tinted glass and stacked angular balconies. The repeating geometric pattern fills the frame. No people. Built form as graphic.

A view through a circular porthole window onto orange rooftops and a city beyond. No people. The frame-within-a-frame and the built city seen through it is the subject.

A tropical resort courtyard with tall palm trees, a fountain, and a low building wing in golden light. No dominant person. The composed architecture and landscape of the resort is the subject.

A modern building with grids of dark glass and bright accents. No people are visible. Geometric repetition of the curtain wall is the subject.

An alpine village seen in winter, blanketed in snow, with electrical lines and a partial mountain framing the scene.

A sunlit interior with two arched openings, two slim chairs, and tree shadows on a cream wall. No people. The interior architecture — arches, light, chairs — is the subject.

A tall building shot looking upward against a saturated blue sky, the facade in shadow. No people in the frame. The vertical thrust of the architecture is the subject.

Closely packed terracotta and stone rooftops of an Italian hill town from above. No people. The architectural massing of the village is the subject — built form.